4, 28, 30, 33, 42Hugh Aldersey-Williams, British Design, New York, 2010, p.
319, 384Alastair Grieve, For Ease For Ever, London, 2004, pp. 90, 92Charlotte and Peter Fiell, eds., Decorative Art - 1930s & 1940s, Cologne, 2000, pp. 35Magdalena Droste, Manfred Ludewig and Bauhaus Archiv, Marcel Breuer Design, Germany, 1994, pp.
127, 145Jack Pritchard, View from a Long Chair: the memoirs of Jack Pritchard, London, 1984, front cover, frontispiece, pp. cat., Museum of Modern Art, New York, 1981, pp. Footnotes:ProvenancePrivate collection, LondonAcquired from the above by the present owner LiteratureChristopher Wilk, Marcel Breuer Furniture and Interiors, exh. Frame manufactured by Isokon Furniture Company Ltd., London, United Kingdom. Marcel BreuerEarly and rare 'Long Chair', designed 1935-1936, produced circa 1935Laminated birch plywood.69.5 x 62.5 x 137 cm Seat manufactured by Venesta, Estonia for Isokon Furniture CompanyLtd., London, United Kingdom. UK postage from £4.99, EU from £6.99, Rest of World from £8.99 We combine postage on multiple winning lots and can ship worldwide. All autographs come with a Certificate of Authenticity. Each item is signed by the artist, either on the sleeve/ disc or both, some are dedicated. Titles Include: Peter Andre Defender, Young Kato, Molotov Jukebox Carnival Follower, Laura Oakes How Big Is Your World, Laura Oakes Nashville Gate Your Girl, Northern Uproar Town, Rue Royale, Earl Tongue Tied, Mike Sanchez You Better Dig It, Fran Smith, Gabriel Aplin Home, Drenge Strange Creatures, Roger Davies The Yorkshire Songwriter, Prem Leela Live In Monte Sahaja, Dom Major Me and You, Karin Grandal Park and Rosie Clegg Strong In The Broken Places, Dead Like Harry Know the Joy of Good Living, Pasadena Roof Orchestra Licensed To Swing, Pearl Kaufman Motion Picture Themes Moonlight Classics And More, Pearl Kaufman Rhapsody in Blue Bumble Boogie, The Angelo Debarre Quartet, Flavia Coelho Bossa Muffin and Saint Raymond Young Blood. Music collection of signed CD sleeves complete with discs, 23 in total.
0 kommentar(er)
